"Two more inches I'd have been in that casket/ According to the doctor I could've died in traffic," he rhymes on "3 Peat", possibly referring to the day in 2001 when a disgruntled groupie shot at his tour bus, planting a bullet in his chest. 44 Magnum while toying with the gun in a mirror. "Shoot Me Down", with its "Lose Yourself"-style guitar chug and ominous hook, has the rapper looking all the way back to age 12, when he accidentally shot himself with a. "I've done it before, please don't make me do it no more."Ĭ3 is Wayne's most absurd album to date but it's also his most personal. While Wayne isn't quite ready to produce something like "Hey Ya!", don't be shocked if you see him held up by a pair of leprechaun suspenders in the not-so-distant future. The musical open-mindedness also lifts C3 above regional niches- the #1 hit "Lollipop" sounds more like it was born on Jupiter than anywhere on earth. Carter" to the extraterrestrial fetishism of "Phone Home" to the eclectic unpredictability of it all. Traces of the South's most genre-bursting, P-Funk-worshipping ATLiens can be heard all over C3, from Wayne's staccato phrasing on "Mr. The song's a lesson in winning idiosyncrasies- Andre, Big Boi, and Wayne are all salty, but they make sure to side-step pessimism (Big Boi deems rumor mongers "M&M's with no nuts"). In hindsight, the invite feels like an act of sanctification. One of the few satisfying tracks on OutKast's bungled Idlewild album was a woozy bitchfest called "Hollywood Divorce" featuring Lil Wayne. "Gotta work everyday/ Gotta not be cliché/ Gotta stand out like Andre 3K."
Piggybacking on hits by Chris Brown and Lloyd undoubtedly did wonders for his giggling teenage girl fan base, but a lesser-known assist appears to have had an even bigger effect on the new record. And while stellar tapes like Dedication 2 and Da Drought 3 offered-up plenty of hidden darts for sun-deprived message board nerds, his Just Say Yes policy toward any and all guest invitations (Enrique Iglesias? Why not!) provided maximum visibility and chiseled his radio-friendly chops. Wayne set the definition for a Web 2.0 MC- his output pours through computer speakers at broadband speeds. Using the mixtape market as a free-for-all training ground, Wayne expanded his persona, voice, and talent while presumptively killing off thousands of wannabe MCs hoping to charge five bucks for some garbage CD-R.
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Over the past couple of years, he's given away more worthwhile free music online than most artists of his stature ever release officially. "I pay my dues, you keep the difference."Īs the major music industry continues to wheeze and splinter, Lil Wayne's spitball marketing plan for C3 is an unprecedented masterstroke. Instead of hiding his bootleg-bred quirks in anticipation of the big-budget spotlight, he distills the myriad metaphors, convulsing flows, and vein-splitting emotions into a commercially gratifying package that's as weird as it wants to be he eventually finds his guitar but keeps the strumming in check. This is Wayne's moment and he embraces it on his own terms. Now, nine years after his first solo LP, and on the heels of an unprecedented glut of increasingly remarkable mixtape and internet leaks, we get Tha Carter III, the epic culmination of a lifetime of eccentricities. And, opposed to the typical rap flame-out trajectory, Wayne got better- and stranger- with each album. While everyone else on the day's bill- from Alicia Keys to Kanye West- filled their shortened, festival-style sets with hits and finely-tailored theatrics, the audience's most anticipated act took the opportunity get his Guitar for Dummies on Lil Wayne is, as he likes to say, "different." Always has been.Įarmarked as a gifted elementary school student in New Orleans, he became the token prodigy of his hometown's Cash Money clique at the age of 16, spitting pipsqueak gangsterisms over skittering Mannie Fresh beats. "That's not a chord or anything!" Still, she recorded Wayne in all his tatted-up Tracy Chapman glory for YouTube posterity just the same. "Is he really playing the guitar right now?" giggled a teenage girl.
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The fact was evident at this year's Summer Jam, when he spent two and a half interminable minutes noodling and crooning all by his lonesome while a stadium full of New York's most devout hip-hop fans looked on bewildered.
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